Beat Me Daddy Eight to the Bar
Midwife Crisis Hebammenchor
Femmes foetales
3:20 October 26, 2012
BPM
87
Key
C Major
Camelot
8B

Embed

Share Link

Beat Me Daddy Eight to the Bar - Midwife Crisis Hebammenchor Information

Acousticness
88%
Danceability
67%
Energy
61%
Instrumentalness
0%
Liveness
13%
Loudness
83%
Speechiness
5%
Valence
43%
Popularity
Loudness
-10.072 dB

Summary

Midwife Crisis Hebammenchor made "Beat Me Daddy Eight to the Bar" available on October 26, 2012. The duration of Beat Me Daddy Eight to the Bar is about 3 minutes long, at 3:20. Based on our data, "Beat Me Daddy Eight to the Bar" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 13 in Femmes foetales by Midwife Crisis Hebammenchor. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Beat Me Daddy Eight to the Bar is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Beat Me Daddy Eight to the Bar BPM

The tempo marking of Beat Me Daddy Eight to the Bar by Midwife Crisis Hebammenchor is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Beat Me Daddy Eight to the Bar Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Life's Gonna Suck by Denis LearyLife's Gonna SuckDenis LearyC Major88B129 BPM
Downtown by Allan ShermanDowntownAllan ShermanA Major611B135 BPM
We Won't Be Okay by Benjamin FieldWe Won't Be OkayBenjamin FieldE Major312B108 BPM
Roses of Picardy by Nathan LayRoses of PicardyNathan LayA Minor48A92 BPM
Paging Richard Smoker by Bob and TomPaging Richard SmokerBob and TomG Major79B124 BPM
To Morrow by The Kingston TrioTo MorrowThe Kingston TrioG Major49B134 BPM
Malcolm by Arrogant WormsMalcolmArrogant WormsE Major712B148 BPM
You Can Be Mean to Me by Heywood BanksYou Can Be Mean to MeHeywood BanksC Major78B58 BPM
"The World's Greatest Criminal Mind"Vincent PriceF Major27B79 BPM
The Difference Between Us by Leonard NimoyThe Difference Between UsLeonard NimoyA♭ Major44B88 BPM
ISRC
CH1081202768
Label
L-M Records/RCA Records

Section: 0.5087950229644775

End: 0.5143709182739258