Nate Kenyon made "Next Time It's 3AM" available on October 31, 2016. The duration of Next Time It's 3AM is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Next Time It's 3AM's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 4 in the song's album "On My Tab". In this album, this song's track order is #3. In terms of popularity, Next Time It's 3AM is currently average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Next Time It's 3AM by Nate Kenyon having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rebound (feat. Emily Weisband) | Drew Baldridge, Emily Weisband | B Minor | 8 | 10A | 136 BPM | ||
Pretty Girls | Dierks Bentley | D♭ Minor | 7 | 12A | 144 BPM | ||
Everything in Between | Michael Ray | F♯ Major | 6 | 2B | 130 BPM | ||
Workin' on Me Waitin' on You | Blane Rudd | A♭ Major | 9 | 4B | 132 BPM | ||
Girls That Smoke | Jameson Rodgers | D Major | 8 | 10B | 112 BPM | ||
The Wrong Ones | Jordan Rager | G Major | 7 | 9B | 90 BPM | ||
Don't Have to Be Anything | Pat Cooper | A♭ Major | 9 | 4B | 144 BPM | ||
Head over Heels | Daniel Lee | F Major | 8 | 7B | 122 BPM | ||
Taxis in a Small Town | Nate Kenyon | F♯ Major | 7 | 2B | 78 BPM | ||
Kings of Friday Night | JJ Lawhorn | F Major | 9 | 7B | 148 BPM |
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