Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Gretl Schörg, Franz Fehringer, Willy Hofmann, Benno Kusche, Kölner Rundfunkchor's 'Schwarzwaldmädel: "Wenn die Sonn' am Himmel lacht" - Prügelszene - Nachtwächterlied (Bärbele, Hans, Richard, Blasius, Chor)' came out on September 29, 2014. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Franz Fehringer, Gretl Schörg's "Jessel: Schwarzwaldmädel" album is number 26 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Schwarzwaldmädel: "Wenn die Sonn' am Himmel lacht" - Prügelszene - Nachtwächterlied (Bärbele, Hans, Richard, Blasius, Chor) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Schwarzwaldmädel: "Wenn die Sonn' am Himmel lacht" - Prügelszene - Nachtwächterlied (Bärbele, Hans, Richard, Blasius, Chor) by Leon Jessel, Kölner Rundfunkorchester, Franz Marszalek, Gretl Schörg, Franz Fehringer, Willy Hofmann, Benno Kusche, Kölner Rundfunkchor to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida: Sinfonia | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | D Major | 4 | 10B | 74 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Finale | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Parade der Zinnsoldaten | Leon Jessel, New London Orchestra, Ronald Corp | A Major | 3 | 11B | 102 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
The Irish Washerwoman | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | A Major | 3 | 11B | 78 BPM | ||
Jessel: Schwarzwaldmädel, Act I: Introduktion - O sancta Caecilia | Leon Jessel, Brigitte Lindner, Willy Mattes, Stuttgart Philharmonic Orchestra | A Major | 3 | 11B | 66 BPM | ||
Columbine Polka-Mazurka (1862) | Hans Christian Lumbye, Tivoli Symphony Orchestra | F Major | 1 | 7B | 113 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM |
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