Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus] - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Erika Wustmann, Gerda Schriever, Siegfried Vogel, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger Information

"Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Erika Wustmann, Gerda Schriever, Siegfried Vogel, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. The duration of Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus] is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #38. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus]'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus] BPM

With Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Erika Wustmann, Gerda Schriever, Siegfried Vogel, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Matthäus-Passion, BWV 244, Pt. 2: No. 38, Recitative. "Petrus aber saß draußen im Palast" (Evangelist, Maidens I & II, Petrus) – "Wahrlich, du bist auch einer von denen" [Chorus] – "Da hub er an, sich zu verfluchen" [Evangelist, Petrus] Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.