Carl Philipp Emanuel Bach, Bernard Labadie/Truls Mørk/Les Violins du Roy, Bernard Labadie, Les Violons du Roy made "Bach, CPE: Cello Concerto No. 1 in A Minor, Wq. 170: III. Allegro assai" available on March 4, 2011. Since Bach, CPE: Cello Concerto No. 1 in A Minor, Wq. 170: III. Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 9 in C.P.E. Bach Cello Concertos by Carl Philipp Emanuel Bach, Bernard Labadie/Truls Mørk/Les Violins du Roy, Bernard Labadie. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, CPE: Cello Concerto No. 1 in A Minor, Wq. 170: III. Allegro assai is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bach, CPE: Cello Concerto No. 1 in A Minor, Wq. 170: III. Allegro assai by Carl Philipp Emanuel Bach, Bernard Labadie/Truls Mørk/Les Violins du Roy, Bernard Labadie, Les Violons du Roy is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Bach, CPE: Flute Concerto in D Minor, Wq 22, H. 425: III. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | F Major | 3 | 7B | 84 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: III. Presto | Carl Philipp Emanuel Bach, The English Concert, Andrew Manze | D♭ Major | 2 | 3B | 119 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Sinfonia in D Major, BWV 1045: III. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Major | 3 | 10B | 95 BPM |
Section: 0.6523525714874268
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