Daryl Hall & John Oates made "Fading Away" available on October 26, 2004. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Our Kind of Soul". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Fading Away is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Fading Away by Daryl Hall & John Oates having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Have I Been Away Too Long | Daryl Hall & John Oates | B♭ Major | 3 | 6B | 136 BPM | ||
How Do I Survive | Amy Holland | F Minor | 6 | 4A | 117 BPM | ||
Bix | Airplay | E Minor | 5 | 9A | 79 BPM | ||
That's Why I Love You | Andrew Gold | D♭ Minor | 5 | 12A | 109 BPM | ||
New York Minute | Don Henley | A♭ Minor | 3 | 1A | 132 BPM | ||
Anytime | Journey | A Major | 7 | 11B | 145 BPM | ||
No One Is To Blame | Howard Jones | A Major | 3 | 11B | 94 BPM | ||
Morning Man | Rupert Holmes | E Major | 7 | 12B | 115 BPM | ||
You Could Have Been With Me | Sheena Easton | F Major | 3 | 7B | 64 BPM | ||
Oriental Gate (No Chance of Changin' My Mind) | Sanford Townsend Band | C Major | 5 | 8B | 80 BPM |
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