"Armenian Dances: III. Tamzara" by Loris Chobanian, The University of Illinois Symphonic Band, Dr. Harry Begian was released on January 1, 2000. The duration of Armenian Dances: III. Tamzara is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Armenian Dances: III. Tamzara's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The University of Illinois Symphonic Band's "In Concert with the University of Illinois Symphonic Band - The Begian Years, Vol. XIV" album is number 4 out of 12. Armenian Dances: III. Tamzara is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armenian Dances: III. Tamzara by Loris Chobanian, The University of Illinois Symphonic Band, Dr. Harry Begian to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella, Op. 87, Act I: Introduction | Sergei Prokofiev, WDR Sinfonieorchester Köln, Michail Jurowski | C Major | 2 | 8B | 127 BPM | ||
My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): X. In trutina (I am suspended between love and chastity) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | D Major | 0 | 10B | 145 BPM | ||
Happiness | Singapore Symphony Orchestra, Traditional | G Major | 0 | 9B | 165 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Prelude of the Tempest | AKIRA HONDA | C Minor | 2 | 5A | 118 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Towards a New Life, Op. 35c - Live | Prague Symphony Orchestra, Zdeněk Mácal | G Major | 4 | 9B | 144 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM |
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