Douglas Adams, Martin Freeman made "Chapter 19 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2" available on 1980. The duration of Chapter 19 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2 is about 3 minutes long, at 3:02. Based on our data, "Chapter 19 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 113 in the song's album "The Restaurant at the End of the Universe [The Hitchhiker's Guide to the Galaxy, Book 2 (Unabridged)]". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. The popularity of Chapter 19 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2 is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chapter 19 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2 by Douglas Adams, Martin Freeman having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 1 - When Plants Dream - Ayahuasca, Amazonian Shamanism, and the Global Psychedelic Renaissance | Daniel Pinchbeck, Sophia Rokhlin, Aaron Shedlock, Lauren Ezzo | B♭ Major | 3 | 6B | 79 BPM | ||
The Ballad of The Guy from the Tool Supply - Recited | Nibriell | F♯ Major | 2 | 2B | 169 BPM | ||
Alice in Wonderland, Pt. 40 | Fairy Tales for Kids, Kids, Fairy Tales | F Major | 0 | 7B | 126 BPM | ||
Chapter 03: Tina in Danger | Bibi and Tina, Ulf Tiehm, Britt McKillip, Chantal Strand | D♭ Major | 2 | 3B | 164 BPM | ||
Captains log #17 | Danger Danger Danger | E Major | 3 | 12B | 88 BPM | ||
Memoirs - Hall was not a place | John Mainwaring, Richard Wistreich, Hamilton Harty, August Wenzinger | D♭ Minor | 4 | 12A | 99 BPM | ||
Chapter 7 - Not The Man I Thought He Was | Phoebe MacLeod, Victoria Fox | D♭ Minor | 2 | 12A | 168 BPM | ||
Chapter 24 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A♭ Major | 2 | 4B | 104 BPM | ||
Markheim | Robert Louis Stephenson | E♭ Major | 1 | 5B | 100 BPM | ||
Kapitel 5.2 - Krankengeschichten vom Franz | Geschichten vom Franz, Christine Nöstlinger | E♭ Minor | 1 | 2A | 77 BPM |
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