"Mein Lebenslauf ist Lieb' und Leben - waltz, Op.263" by Josef Strauss, Wiener Philharmoniker, Franz Welser-Möst was released on January 1, 2011. Since Mein Lebenslauf ist Lieb' und Leben - waltz, Op.263 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "New Year's Day Concert 2011 (Neujahrskonzert 2011)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Mein Lebenslauf ist Lieb' und Leben - waltz, Op.263 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mein Lebenslauf ist Lieb' und Leben - waltz, Op.263 by Josef Strauss, Wiener Philharmoniker, Franz Welser-Möst having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
Tales From The Vienna Woods | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 2 | 6B | 178 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM | ||
Capriccio espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM |
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