Peter Allen, Carole Bayer Sager, Hugh Jackman, Stephanie J. Block, Patrick Vaccariello, Jim Laev's 'I'd Rather Leave While I'm In Love - The Boy From Oz/Original Cast Recording/2003' came out on January 1, 2003. The duration of I'd Rather Leave While I'm In Love - The Boy From Oz/Original Cast Recording/2003 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. I'd Rather Leave While I'm In Love - The Boy From Oz/Original Cast Recording/2003's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Boy From Oz". In this album, this song's track order is #13. I'd Rather Leave While I'm In Love - The Boy From Oz/Original Cast Recording/2003 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I'd Rather Leave While I'm In Love - The Boy From Oz/Original Cast Recording/2003 by Peter Allen, Carole Bayer Sager, Hugh Jackman, Stephanie J. Block, Patrick Vaccariello, Jim Laev having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bring Me to Light | Violet Company | A Major | 3 | 11B | 78 BPM | ||
Heart and Music | Jonathan Groff, A New Brain Company | B♭ Minor | 4 | 3A | 102 BPM | ||
Cry for Me | Daniel Reichard, The Four Seasons | E♭ Major | 3 | 5B | 86 BPM | ||
Sobbin' Women | Steve Devereux, Geoff Steer, Simon Howe, Seven Brides for Seven Brothers Original London Cast Recording Male Ensemble | F Major | 1 | 7B | 181 BPM | ||
Breeze | Funky New Orleans Jazz Band, Earl Scheelar, Bob Helm, Bill Bardin, Bill Dekuiper, Peter Allen, Don Marchant, Eliot Kenin | C Major | 1 | 8B | 137 BPM | ||
Harbour | Peter Allen | D Major | 2 | 10B | 142 BPM | ||
Very Slightly Almost | "Calendar Girls" Original London Cast | B♭ Minor | 2 | 3A | 98 BPM | ||
Song on the Sand | Kelsey Grammer, Douglas Hodge | F♯ Major | 1 | 2B | 86 BPM | ||
Empty Chairs At Empty Tables | Eddie Redmayne | E♭ Minor | 1 | 2A | 170 BPM | ||
Best That You Can Do - The Boy From Oz/Original Cast Recording/2003 | Burt Bacharach, Carole Bayer Sager, Peter Allen, Chris Cross, Hugh Jackman, Stephanie J. Block, Patrick Vaccariello, Jim Laev | F Major | 4 | 7B | 75 BPM |
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