Johnny Bond made "Red River Valley" available on June 17, 1945. The duration of Red River Valley is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Red River Valley's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johnny Bond's "Here Comes... Johnny Bond!" album is number 5 out of 33. On top of that, Germany appears to be the country where this track was created. The popularity of Red River Valley is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Red River Valley by Johnny Bond to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johnny Clem | Fess Parker | A♭ Major | 6 | 4B | 102 BPM | ||
Honey Song | Spade Cooley | A Major | 2 | 11B | 142 BPM | ||
Twenty Miles From Shore | Hawkshaw Hawkins | E Major | 5 | 12B | 91 BPM | ||
Sky Ball Paint | Willis Brothers, Johnny Bond | E♭ Major | 5 | 5B | 108 BPM | ||
Back In the Saddle Again | Johnny Bond, Willis Brothers | C Major | 3 | 8B | 179 BPM | ||
Another Day, Another Dollar | Wynn Stewart | E Major | 5 | 12B | 91 BPM | ||
This Must Be The Bottom | Del Reeves | B♭ Major | 4 | 6B | 171 BPM | ||
You May Be Sorry | Al Dexter | A Major | 1 | 11B | 110 BPM | ||
Beautiful Lies | Jean Shepard | C Major | 3 | 8B | 120 BPM | ||
End Of The Road | Dick Curless | D Major | 7 | 10B | 115 BPM |
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