On February 7, 2017, the song "Bach, JS: St John Passion, BWV 245, Part 1: No. 2 "Jesus ging mit seinen Jüngern... Jesus antwortete" (Evangelist, Jesus, Chorus)" was released by Johann Sebastian Bach, Marc Minkowski, Ditte Andersen, Lenneke Ruiten, Delphine Galou, David Hansen, Lothar Odinius, Valerio Contaldo, Colin Balzer, Christian Immler, Felix Speer, Les Musiciens du Louvre. The duration of Bach, JS: St John Passion, BWV 245, Part 1: No. 2 "Jesus ging mit seinen Jüngern... Jesus antwortete" (Evangelist, Jesus, Chorus) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Bach, JS: St John Passion, BWV 245, Part 1: No. 2 "Jesus ging mit seinen Jüngern... Jesus antwortete" (Evangelist, Jesus, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Marc Minkowski's "J.S. Bach: Johannes-Passion (St John Passion)" album is number 2 out of 42. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Bach, JS: St John Passion, BWV 245, Part 1: No. 2 "Jesus ging mit seinen Jüngern... Jesus antwortete" (Evangelist, Jesus, Chorus) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bach, JS: St John Passion, BWV 245, Part 1: No. 2 "Jesus ging mit seinen Jüngern... Jesus antwortete" (Evangelist, Jesus, Chorus) by Johann Sebastian Bach, Marc Minkowski, Ditte Andersen, Lenneke Ruiten, Delphine Galou, David Hansen, Lothar Odinius, Valerio Contaldo, Colin Balzer, Christian Immler, Felix Speer, Les Musiciens du Louvre to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
II. Wir Danken Dir, Gott, Wir Danken Dir BWV 29, 1. Sinfonia | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Eduard Wesley, Will Wroth, Sytse Buwalda, Marjon Strijk, Vaughan Schlepp, Peter Frankenberg, Hendrik Jan Houtsma, Susan Williams, Frank Aarnink, Geerten Rooze, Pieter Jan Leusink | D♭ Major | 0 | 3B | 119 BPM | ||
II. Warum Betrübst Du Dich, Mein Herz? BWV 138, Choral (Coro): Weil Du Mein Gott Und Vater Bist | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Johann Sebastian Bach, Marjon Strijk, Frenkel, Bas Ramselaar, Pieter Jan Leusink | B♭ Minor | 2 | 3A | 144 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
III. Meine Seel Erhebt Den Herren BWV 10, 1. Coro: Meine Seel Erhebt Den Herren | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Ofer Frenkel, Pieter Jan Leusink | B Minor | 3 | 10A | 89 BPM | ||
Ach Gott, wie manches Herzeleid, BWV 3: Ach Gott, wie manches Herzeleid (Chorus) | Johann Sebastian Bach, Dorothee Mields, Pascal Bertin, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 1 | 4B | 84 BPM | ||
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. — | Johann Sebastian Bach, Amsterdam Baroque Orchestra, Ton Koopman, Alison Bury, Crispian Steele-Perkins, Ku Ebbinge, Ricardo Kanji | C Major | 0 | 8B | 120 BPM | ||
Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | ||
Hohe Messe in B Minor, BWV 232: No. 2, Christe eleison | Johann Sebastian Bach, Merseburger Hofmusik, Michael Schönheit, Britta Schwarz, Henriette Gödde | D♭ Major | 1 | 3B | 146 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
I. Herz Und Mund Und Tat Und Leben BWV 147, Prima Parte, 1. Coro: Herz Und Mund Und Tat Und Leben | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Peter Frankenberg, Eduard Wesley, Bas Ramselaar, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ruth Holton | B Major | 3 | 1B | 90 BPM |
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