Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino
Anthony Camden, City of London Sinfonia, Nicholas Ward
Italian Oboe Concertos, Vol. 1
2:08 November 19, 1996
BPM
48
Key
C Minor
Camelot
5A

Embed

Share Link

Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino - Anthony Camden, City of London Sinfonia, Nicholas Ward Information

Acousticness
86%
Danceability
9%
Energy
3%
Instrumentalness
92%
Liveness
13%
Loudness
47%
Speechiness
5%
Valence
4%
Popularity
Loudness
-31.929 dB

Summary

"Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino" by Anthony Camden, City of London Sinfonia, Nicholas Ward was released on November 19, 1996. The duration of Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in City of London Sinfonia's "Italian Oboe Concertos, Vol. 1" album is number 17 out of 18. Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino BPM

We consider the tempo marking of Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino by Anthony Camden, City of London Sinfonia, Nicholas Ward to be Lento (slowly) because the track has a tempo of 48 BPM, a half-time of 24BPM, and a double-time of 96 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lo frate 'nnamorato: II. Andante by Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoLo frate 'nnamorato: II. AndanteGiovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo AmatoE Minor59A165 BPM
Sinfonia in B-Flat Major, HWV 339: I. Allegro by George Frideric Handel, The Brook Street BandSinfonia in B-Flat Major, HWV 339: I. AllegroGeorge Frideric Handel, The Brook Street BandA Major311B121 BPM
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John GeorgiadisConcerto for 2 Oboes in C Major, Op. 7, No. 2: I. AllegroTomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John GeorgiadisC Major28B100 BPM
Oboe Concerto No. 1 in B-Flat Major, HWV 301*: II. Allegro by George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas WardOboe Concerto No. 1 in B-Flat Major, HWV 301*: II. AllegroGeorge Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas WardB♭ Major16B109 BPM
Suite in G minor: VI. Sarabande (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardSuite in G minor: VI. Sarabande (Arr. A. Camden)George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardB♭ Major16B82 BPM
Purcell : King Arthur : Overture to Act 1 by William ChristiePurcell : King Arthur : Overture to Act 1William ChristieC Minor25A140 BPM
Mystery (Rosary) Sonata No. 2, Mystery (Rosary) Sonata No. 2, "The Visitation": I. —Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, BattaliaA♭ Major04B78 BPM
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro by Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald ArmstrongSymphony in C Major, Op. 1, No. 6, (Callen 6): I. AllegroFranz Ignaz Beck, New Zealand Chamber Orchestra, Donald ArmstrongG Major29B143 BPM
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro by Francesco Geminiani, Capella Istropolitana, Jaroslav KrcekConcerto grosso in C Minor, Op. 2, No. 1: IV. AllegroFrancesco Geminiani, Capella Istropolitana, Jaroslav KrcekC Minor15A180 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6023077964782715

End: 0.6064655780792236