Ellie Mao made "Wu-Ke Tends the Sheep (Yulin-Shensi)" available on January 1, 1963. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 28 in Ellie Mao: An Anthology of Chinese Folk Songs by Ellie Mao Mok. In terms of popularity, Wu-Ke Tends the Sheep (Yulin-Shensi) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Wu-Ke Tends the Sheep (Yulin-Shensi) by Ellie Mao is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 101 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Manon, Act II: En fermant les yeux - Remastered 2024 | Jules Massenet, Raphael Arié, London Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 80 BPM | ||
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Song | Michael Hernandez | B♭ Major | 1 | 6B | 110 BPM | ||
Tales From The Vienna Woods | Kathryn Grayson | D♭ Major | 1 | 3B | 63 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Huit et demi | Bachas Mont-Joia | C Major | 1 | 8B | 118 BPM | ||
H.M.S. Pinafore, Act II: Entr’acte | Gilbert & Sullivan Society of Houston | G Major | 1 | 9B | 82 BPM |
Section: 0.6750061511993408
End: 0.6788344383239746