Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 90:2 "Uw oppermacht, die wij ootmoedig eren"' came out on 2016. With Psalm 90:2 "Uw oppermacht, die wij ootmoedig eren" being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Psalm 90:2 "Uw oppermacht, die wij ootmoedig eren" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 90:2 "Uw oppermacht, die wij ootmoedig eren" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O sacrum convivium | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Orgelcompositie Psalm 32 | Gerard de Wit | D Minor | 3 | 7A | 75 BPM | ||
Koralpartita nr. 1, Op. 7: I. Langsomt koraltempo | Egil Hovland, Anders Eidsten Dahl | D Major | 3 | 10B | 92 BPM | ||
Erschienen ist der herrlich Tag, BuxWV 224 | Łukasz Bobka | A Minor | 3 | 8A | 70 BPM | ||
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | C Major | 0 | 8B | 92 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
Paulus, Op.36, MWV A14 / Part 1: No.16 Choral: "Wachet auf! ruft uns die Stimme" | Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur | D Major | 2 | 10B | 94 BPM | ||
Prelude & Fugue in A Minor, WoO 9: II. Fugue | Johannes Brahms, Konstantin Volostnov | A Minor | 0 | 8A | 75 BPM | ||
Meditation No. 2 | Alexander Därr | C Major | 0 | 8B | 138 BPM | ||
Orgelvers 1 a3 - Psalm 6 | Gerard de Wit | A Minor | 1 | 8A | 77 BPM |
Section: 0.7062714099884033
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