Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Roberto de Candia, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly's 'Il Turco in Italia / Act 2: "Son la vite sul campo appassita"' came out on January 1, 1998. The duration of Il Turco in Italia / Act 2: "Son la vite sul campo appassita" is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Il Turco in Italia / Act 2: "Son la vite sul campo appassita"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Il Turco in Italia / Act 2: "Son la vite sul campo appassita" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il Turco in Italia / Act 2: "Son la vite sul campo appassita" by Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Roberto de Candia, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt) | Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia Orchestra | B♭ Major | 0 | 6B | 77 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Il barbiere di Siviglia: Act I: Overture - Remastered | Gioachino Rossini, Erich Leinsdorf | E Major | 3 | 12B | 96 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM |
Section: 0.6548020839691162
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