"The Last Rose Of Summer - Mono / With Violin Solo" by Leroy Anderson was released on September 15, 1988. The duration of The Last Rose Of Summer - Mono / With Violin Solo is about 3 minutes long, at 3:28. Based on our data, "The Last Rose Of Summer - Mono / With Violin Solo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 47 in the song's album "The Leroy Anderson Collection". In this album, this song's track order is #24. In terms of popularity, The Last Rose Of Summer - Mono / With Violin Solo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Last Rose Of Summer - Mono / With Violin Solo by Leroy Anderson having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry | D♭ Major | 1 | 3B | 128 BPM | ||
Do-Re-Mi | Living Strings | C Major | 3 | 8B | 129 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
The Pussy Foot | Leroy Anderson | C Minor | 6 | 5A | 142 BPM | ||
By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 73 BPM | ||
Laughing Cavalier | Haydn Wood | E Minor | 3 | 9A | 149 BPM | ||
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM |
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