"Variations on a Theme by C.H., Op. 57: Var. 10. Molto più lento" by Xaver Scharwenka, Seta Tanyel was released on September 1, 2003. With Variations on a Theme by C.H., Op. 57: Var. 10. Molto più lento being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Scharwenka: Piano Music, Vol. 4". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. Variations on a Theme by C.H., Op. 57: Var. 10. Molto più lento is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Variations on a Theme by C.H., Op. 57: Var. 10. Molto più lento by Xaver Scharwenka, Seta Tanyel having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane variée: Theme. Moderato molto, poco misterioso | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
ワルツ 変イ長調 作品39の15 | Jan Panenka | A♭ Major | 0 | 4B | 65 BPM | ||
Le tombeau de Couperin, M. 68: IV. Rigaudon | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Variations on a Theme of Corelli, Op. 42: Var. 15. L'istesso tempo | Sergei Rachmaninoff, Howard Shelley | D♭ Major | 0 | 3B | 168 BPM | ||
24 Preludes, Op. 28: No. 4 in E Minor, Largo | Frédéric Chopin, Hsiang Tu | D♭ Major | 0 | 3B | 99 BPM | ||
Etudes, Op. 52: No. 6, Etude en Forme De Valse - Due-Art 6372 | Camille Saint-Saëns, Peter Phillips, Alfred Cortot | D♭ Major | 3 | 3B | 74 BPM | ||
Lieder ohne Worte I, Op. 19b: No. 6 in G Minor, Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Howard Shelley | G Minor | 0 | 6A | 65 BPM | ||
Lyric Pieces, Book VII, Op. 62: No. 1, Sylph | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
4 Polish Dances, Op. 58: No. 2, Lento | Xaver Scharwenka, Seta Tanyel | D Minor | 1 | 7A | 67 BPM | ||
9 Preludes, Op. 103: No. 7 in A Major | Gabriel Fauré, Kathryn Stott | A Major | 0 | 11B | 131 BPM |
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