Löcher im Käse: Szene 4
Michael Schacht, Jodoc Seidel, Peter Schneider
Die haarsträubenden Fälle des Philip Maloney, Vol. 5
1:18 1997
BPM
127
Key
G Minor
Camelot
6A

Embed

Share Link

Löcher im Käse: Szene 4 - Michael Schacht, Jodoc Seidel, Peter Schneider Information

Acousticness
50%
Danceability
67%
Energy
31%
Instrumentalness
0%
Liveness
33%
Loudness
76%
Speechiness
92%
Valence
63%
Popularity
Loudness
-14.574 dB

Summary

Michael Schacht, Jodoc Seidel, Peter Schneider made "Löcher im Käse: Szene 4" available on 1997. With Löcher im Käse: Szene 4 being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 32 out of 37 in Die haarsträubenden Fälle des Philip Maloney, Vol. 5 by Michael Schacht, Jodoc Seidel, Peter Schneider. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Löcher im Käse: Szene 4's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Löcher im Käse: Szene 4 BPM

The tempo marking of Löcher im Käse: Szene 4 by Michael Schacht, Jodoc Seidel, Peter Schneider is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Löcher im Käse: Szene 4 Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Teil 3 - Folge 33: Der letzte Versuch by Mimi Rutherfurt, Maureen Butcher, Gisela Fritsch, Bernd VollbrechtTeil 3 - Folge 33: Der letzte VersuchMimi Rutherfurt, Maureen Butcher, Gisela Fritsch, Bernd VollbrechtB Minor810A78 BPM
Kapitel 11: Seytanias Opfer (Folge 39) by Jan TennerKapitel 11: Seytanias Opfer (Folge 39)Jan TennerD♭ Major53B120 BPM
und der dreiäugige Totenkopf - Teil 05 by Die drei ???und der dreiäugige Totenkopf - Teil 05Die drei ???G Major59B89 BPM
031 - Die vermaledeiten Marionetten - Teil 34 by HUI BUH neue Welt031 - Die vermaledeiten Marionetten - Teil 34HUI BUH neue WeltA Major411B114 BPM
09 - Das Verrätertor - Teil 39 by Edgar Wallace09 - Das Verrätertor - Teil 39Edgar WallaceC Major98B98 BPM
018 - auf geheimnisvollen Spuren - Teil 39 by Fünf Freunde018 - auf geheimnisvollen Spuren - Teil 39Fünf FreundeG Minor76A87 BPM
12 - Atomgespenster - Teil 34 by Larry Brent12 - Atomgespenster - Teil 34Larry BrentA♭ Major64B64 BPM
Die Wolf-Gäng - Teil 18 by Die Wolf-GängDie Wolf-Gäng - Teil 18Die Wolf-GängB♭ Minor43A55 BPM
Holmes & Watson Mysterys Folge 33 - Vollmond über Maidstone - Teil 3 by Holmes & WatsonHolmes & Watson Mysterys Folge 33 - Vollmond über Maidstone - Teil 3Holmes & WatsonB♭ Major66B89 BPM
Der Untermieter: Scene 6 by Michael SchachtDer Untermieter: Scene 6Michael SchachtF♯ Minor311A62 BPM
ISRC
CH0041901142
Label
L-M Records/RCA Records

Section: 0.610529899597168

End: 0.6152105331420898