Thomas Weelkes, Amarcord made "Since Robin Hood" available on 2006. With Since Robin Hood being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #8. Since Robin Hood is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Since Robin Hood by Thomas Weelkes, Amarcord having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quarti Toni: Agnus Dei | Vincenzo Ruffo, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 132 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 0 | 5A | 80 BPM | ||
Adoramus a sei voci | Claudio Monteverdi, Ensemble Vocal Européen de La Chapelle Royale, Philippe Herreweghe | E Major | 2 | 12B | 66 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Messa Della Domenica: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | D♭ Major | 2 | 3B | 130 BPM | ||
St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" | Johann Sebastian Bach, The Hilliard Ensemble | A♭ Major | 1 | 4B | 81 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM |
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