Alonso Mudarra, Juan Carlos Rivera made "Romanesca o Guardame las Vacas (Vihuela)" available on December 31, 2002. The duration of Romanesca o Guardame las Vacas (Vihuela) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Romanesca o Guardame las Vacas (Vihuela)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 74 in Dictionary of Medieval & Renaissance Instruments by Various Artists. In terms of popularity, Romanesca o Guardame las Vacas (Vihuela) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Romanesca o Guardame las Vacas (Vihuela) by Alonso Mudarra, Juan Carlos Rivera is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jay pris amours | Francesco Spinacino, Shirley Rumsey, Christopher Wilson | B♭ Major | 1 | 6B | 137 BPM | ||
Folies d'Espagne | Jacques Gallot, Catherine Liddell | A♭ Minor | 0 | 1A | 93 BPM | ||
Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
Correnta settima | Carlo Farina, Musica Antiqua, Christian Mendoze | F Major | 1 | 7B | 67 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: IV. La belle Florantine Sarabande | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 119 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Der Judentantz | Hans Neusidler, Konrad Ragossnig | A Major | 1 | 11B | 86 BPM | ||
Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM |
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