"La Sylphide: Act II: Gurn - The Witch - Effy" by Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of La Sylphide: Act II: Gurn - The Witch - Effy is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. La Sylphide: Act II: Gurn - The Witch - Effy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. In terms of popularity, La Sylphide: Act II: Gurn - The Witch - Effy is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Sylphide: Act II: Gurn - The Witch - Effy by Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadère / Act 1: No.26 Tempo di valse brillante | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 3 | 10B | 102 BPM | ||
La Bayadère / Act 2: No.36 Moderato (No.11) (original Pavlova material) | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 96 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
Espada Suite: I. Panaderos | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 108 BPM | ||
La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Act II: Variation Of The Chief Dryad (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 102 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Le carnaval des animaux, R. 125: 14. Final | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 100 BPM |
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