Lincoln Mayorga, George Gershwin, Marni Nixon's 'Ladies First: The Real American Folk Song (arr. L. Mayorga)' came out on March 1, 2012. The duration of Ladies First: The Real American Folk Song (arr. L. Mayorga) is about 3 minutes long, at 3:15. Based on our data, "Ladies First: The Real American Folk Song (arr. L. Mayorga)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lincoln Mayorga, George Gershwin, Marni Nixon's "Marni Nixon Sings Gershwin" album is number 4 out of 16. Based on our statistics, Ladies First: The Real American Folk Song (arr. L. Mayorga)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ladies First: The Real American Folk Song (arr. L. Mayorga) by Lincoln Mayorga, George Gershwin, Marni Nixon to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Body and Soul | Johnny Green, Nigel Kennedy, Peter Pettinger | D♭ Major | 2 | 3B | 105 BPM | ||
Violin Sonata, Op. 6: I. Moderato ma deciso | Leon Levitch, Gary Tishkoff, Lincoln Mayorga | C Major | 2 | 8B | 121 BPM | ||
Sauguet: Les forains: Entrée des forains | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Piano Concerto No. 1 "Scapegoat": Violente | George Lloyd, Martin Roscoe, BBC Philharmonic | D Minor | 2 | 7A | 133 BPM | ||
Un poco a lo Felisberto | Luciano Supervielle, ORQUESTA FILARMÓNICA DE MONTEVIDEO, Camila Rodriguez | E Minor | 7 | 9A | 87 BPM | ||
Le banjo, Op. 15 | Louis Moreau Gottschalk, Cecile Licad | F♯ Major | 1 | 2B | 143 BPM | ||
Bozza Aria pour Saxophone Alto Mib et Piano | Masato Kumoi, Tomoko Nakachi | G Minor | 1 | 6A | 76 BPM | ||
Fiddle-de-Bop | Linda Rosenthal, Lincoln Mayorga | C Major | 2 | 8B | 121 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
If Only He'd Looked My Way (From "Gay's the Word") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | C Major | 1 | 8B | 81 BPM |
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