"Le Carnaval D'Aix, Fantaisie Pour Piano Et Orchestre D'après "Salade" : XII Final" by Darius Milhaud, Michel Béroff, Georges Prêtre, Monte-Carlo Philharmonic Orchestra was released on 2001. With Le Carnaval D'Aix, Fantaisie Pour Piano Et Orchestre D'après "Salade" : XII Final being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Darius Milhaud, Georges Prêtre's "Milhaud : Music for 2 pianos/Carnaval d'Aix/Suites" album is number 23 out of 36. Based on our statistics, Le Carnaval D'Aix, Fantaisie Pour Piano Et Orchestre D'après "Salade" : XII Final's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Carnaval D'Aix, Fantaisie Pour Piano Et Orchestre D'après "Salade" : XII Final by Darius Milhaud, Michel Béroff, Georges Prêtre, Monte-Carlo Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Neruda: Trumpet Concerto In E Flat -I Allegro | Johann Baptist Georg Neruda, Tine Thing Helseth | E♭ Major | 1 | 5B | 102 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Ravel: Sonatine, M. 40: I. Modéré | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 67 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
classical type beat | Silio Dussud, Walis | E Minor | 0 | 9A | 114 BPM |
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