Norman Scott's 'A Man and a Woman' came out on 1996. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Norman Scott's "Harmonica Gold" album is number 3 out of 18. On top of that, Australia appears to be the country where this track was created. Based on our statistics, A Man and a Woman's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of A Man and a Woman by Norman Scott to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sometimes When We Touch | Friends Collective Orchestra | D Major | 5 | 10B | 106 BPM | ||
First Time Ever I Saw Your Face | Hal Baker Experience | D Minor | 4 | 7A | 66 BPM | ||
The Power Of Love | The Harry Lyd Orchestra | A♭ Major | 4 | 4B | 139 BPM | ||
And I love Her | Rusty Hudelson | A Minor | 2 | 8A | 154 BPM | ||
Michelle | Pickwick Panpipers | F Minor | 4 | 4A | 127 BPM | ||
Carmen, GB 9, IGB 16, Act I: "Pres de remparts de Séville" (Carmen, Don José, Zuniga) | Georges Bizet, Orchestra del Teatro Metropolitan di New York, Dimitri Mitropoulos, Risë Stevens, Mario del Monaco, Norman Scott | D♭ Major | 2 | 3B | 103 BPM | ||
Lily Was Here | Daisy James | D Major | 6 | 10B | 108 BPM | ||
Ever Green, Instrumental Sax | Santi Caballero y Su Saxo de Oro | A♭ Major | 4 | 4B | 118 BPM | ||
Without You | Serge de Saint Laurent | E Major | 1 | 12B | 191 BPM | ||
Tannhäuser: Act I: Allmacht'ger, die sei Preis! (Tannhauser) | Richard Wagner, Jerome Hines, Ramon Vinay, George London, Giulio Gari, Clifford Harvuot, Paul Franke, Norman Scott, Astrid Varnay, Blanche Thebom, Heidi Krall, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Rudolf Kempe | B♭ Major | 4 | 6B | 83 BPM |
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