Elmer Bernstein's 'Beginnings (From "Lost In Yonkers") - From "Lost In Yonkers"' came out on January 1, 1999. The duration of Beginnings (From "Lost In Yonkers") - From "Lost In Yonkers" is about 3 minutes long, at 3:22. Based on our data, "Beginnings (From "Lost In Yonkers") - From "Lost In Yonkers"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Elmer Bernstein's "Great Composers: Elmer Bernstein" album is number 10 out of 16. Based on our statistics, Beginnings (From "Lost In Yonkers") - From "Lost In Yonkers"'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Beginnings (From "Lost In Yonkers") - From "Lost In Yonkers" by Elmer Bernstein to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Band Of Brothers Suite Two - Instrumental | Michael Kamen, London Metropolitan Orchestra | E♭ Major | 3 | 5B | 80 BPM | ||
Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
Flight Through Never land | Joel McNeely | C Major | 3 | 8B | 76 BPM | ||
Strange Funeral / After the Brawl | Elmer Bernstein | E♭ Major | 1 | 5B | 123 BPM | ||
Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
Barnaby Jones | Daniel Caine Orchestra | F Major | 5 | 7B | 128 BPM | ||
Reunited | Bruce Broughton | F Major | 1 | 7B | 80 BPM | ||
The Voyage To Mordor; Theme From The Lord Of The Rings | Leonard Rosenman | B♭ Major | 3 | 6B | 120 BPM | ||
Steiner's Theme | Ernest Gold | D♭ Minor | 3 | 12A | 141 BPM |
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