- BPM
- 92
- Key
- A Major
- Camelot
- 11B
Can You Use Any Money Today? - Decca Broadway Reissue Recording - Ethel Merman, Gordon Jenkins & His Orchestra Information
- Acousticness
- 80%
- Danceability
- 74%
- Energy
- 34%
- Instrumentalness
- 0%
- Liveness
- 30%
- Loudness
- 87%
- Speechiness
- 7%
- Valence
- 56%
- Popularity
- 4%
- Loudness
- -7.926 dB
Summary
Ethel Merman, Gordon Jenkins & His Orchestra made "Can You Use Any Money Today? - Decca Broadway Reissue Recording" available on January 1, 1992. The duration of Can You Use Any Money Today? - Decca Broadway Reissue Recording is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Can You Use Any Money Today? - Decca Broadway Reissue Recording's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 12 Songs From Call Me Madam (With Selections From "Panama Hattie"), so we believe that "Can You Use Any Money Today? - Decca Broadway Reissue Recording" is a single. In terms of popularity, Can You Use Any Money Today? - Decca Broadway Reissue Recording is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Can You Use Any Money Today? - Decca Broadway Reissue Recording BPM
The tempo marking of Can You Use Any Money Today? - Decca Broadway Reissue Recording by Ethel Merman, Gordon Jenkins & His Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Can You Use Any Money Today? - Decca Broadway Reissue Recording Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I Got The Sun In The Morning - From "Annie Get Your Gun" | Ethel Merman, Annie Get Your Gun Original 1946 Chorus | E♭ Major | 3 | 5B | 179 BPM | |
 | All That Jazz (from "Chicago") | John Kander, Chita Rivera, Chicago Ensemble, Stanley Lebowsky | E Major | 5 | 12B | 127 BPM | |
 | George White's Scandals of 1926: Life Is Just A Bowl Of Cherries (arr. R. Edens for voice and orchestra) - | Roger Edens, Ray Henderson, Ethel Merman | B♭ Major | 5 | 6B | 118 BPM | |
 | Mame: Mame | Jerry Herman, Charles Braswell, Mame Ensemble, Donald Pippin | F Minor | 6 | 4A | 127 BPM | |
 | Mary's A Grand Old Name | James Cagney & Sally Sweetland | E♭ Major | 1 | 5B | 76 BPM | |
 | Camelot: Follow Me | Frederick Loewe, Mary Sue Berry, Franz Allers | B Major | 2 | 1B | 172 BPM | |
 | Anywhere I Wander | Frank Loesser, Danny Kaye | C Major | 1 | 8B | 170 BPM | |
 | Bloody Mary | Ken Darby Male Chorus | E♭ Major | 6 | 5B | 129 BPM | |
 | Hurry! It's Lovely Up Here | John Cullum, Barbara Harris | C Minor | 2 | 5A | 109 BPM | |
 | Try to Remember | Jerry Orbach | F Major | 2 | 7B | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6242282390594482
End: 0.6488730907440186