"Sacred Concerto No. 27: IV. . . .and I did not put away his statutes from me" by Dmitry Stepanovich Bortnyansky, Valeri Kuzmich Polyansky, State Symphony Capella of Russia was released on May 1, 2001. The duration of Sacred Concerto No. 27: IV. . . .and I did not put away his statutes from me is about 3 minutes long, at 3:09. Based on our data, "Sacred Concerto No. 27: IV. . . .and I did not put away his statutes from me" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 22 in Bortnyansky: Sacred Concertos, Vol. 4 by Рождество Христово, Russia Spiritual Revival Choir, Lev Kontorovich, Igor Yakovenko, Dmitry Stepanovich Bortnyansky, Valeri Kuzmich Polyansky, State Symphony Capella of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sacred Concerto No. 27: IV. . . .and I did not put away his statutes from me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 27: IV. . . .and I did not put away his statutes from me by Dmitry Stepanovich Bortnyansky, Valeri Kuzmich Polyansky, State Symphony Capella of Russia is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Responsorios: Benedictus (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | E♭ Major | 5 | 5B | 115 BPM | ||
Miserere a 9: No. 5, Asperges me hyssopo - Auditui meo | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 75 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Kur giria žaliuoja | Juozas Gudavičius, Berniukų ir jaunuolių choras „Ąžuoliukas“ | D Major | 0 | 10B | 57 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 77 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Missa ‘De Angelis’: II. Gloria | Claudio Dall'Albero, The Choir of Sidney Sussex College, Cambridge, David Skinner | E♭ Major | 1 | 5B | 99 BPM | ||
Sacred Concerto No. 12, "O God, a new song shall I sing unto thee": I. I will sing a new song unto thee | Dmitry Stepanovich Bortnyansky, Valeri Kuzmich Polyansky, State Symphony Capella of Russia | A Major | 1 | 11B | 129 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 4, Christmas Song | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | E♭ Minor | 1 | 2A | 67 BPM |
Section: 0.7008624076843262
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