Heinrich Wilhelm Ernst, Kristóf Baráti's 'Le roi des aulnes, Op. 26 (after Schubert's Erlkonig)' came out on January 1, 2016. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Soul of Lady Harmsworth". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hungary. In terms of popularity, Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) by Heinrich Wilhelm Ernst, Kristóf Baráti having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Allegro Appassionato Op. 43 | Camille Saint-Saëns, 欧阳娜娜, 江天霖 | E Minor | 1 | 9A | 127 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
12 Etudes, Op.10: No.12 In C Minor | Frédéric Chopin, Daniele Pollini | A♭ Major | 1 | 4B | 125 BPM | ||
6 Mehrstimmige Studien (6 Polyphonic Studies): Etude No. 1 in F Major: Rondino scherzo | Heinrich Wilhelm Ernst, Josef Spacek | F Major | 1 | 7B | 115 BPM | ||
Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM | ||
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM |
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