"Missa De tous bien plaine: Kyrie" by Jacob Obrecht, Psallentes, The Royal Wind Music was released on March 17, 2023. The duration of Missa De tous bien plaine: Kyrie is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Missa De tous bien plaine: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Psallentes, The Royal Wind Music, Hendrik Vanden Abeele, María Martínez Ayerza's "Gratia plena (To Memling)" album is number 5 out of 18. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Missa De tous bien plaine: Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa De tous bien plaine: Kyrie by Jacob Obrecht, Psallentes, The Royal Wind Music to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa O lumen ecclesie: Agnus III | Jacob Obrecht, Ars Nova Secunda, Janos Bali | D Minor | 3 | 7A | 90 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM | ||
Missa O lumen ecclesie: Sanctus | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 3 | 7B | 129 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Missa l'homme armé super voces musicales: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 1 | 8A | 79 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM | ||
Collectio: Veneranda nobis | Guillaume de Machaut, Dominique Vellard | D Minor | 1 | 7A | 99 BPM |
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