Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin made "The RIte of Spring, K015 (Version for 2 Pianos), Pt. 2: XIV. Sacrificial Dance" available on February 2, 2018. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Stravinsky: The Rite of Spring, Concerto & Other Works for 2 Pianos". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The RIte of Spring, K015 (Version for 2 Pianos), Pt. 2: XIV. Sacrificial Dance is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The RIte of Spring, K015 (Version for 2 Pianos), Pt. 2: XIV. Sacrificial Dance by Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Album No. 1 "Pictures of Childhood": No. 6, Musical Picture | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Variations on a theme of Paganini: Var. 12. Quasi adagio | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Poetic Tone Pictures, Op.85: VIII. Goblins' Dance | Antonín Dvořák, Leif Ove Andsnes | A♭ Major | 0 | 4B | 127 BPM | ||
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): IV. Une valse militaire (after Prelude No. 16) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | D Minor | 1 | 7A | 114 BPM | ||
Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 12. Andante sostenuto | Max Reger, Marc-André Hamelin | E♭ Major | 0 | 5B | 92 BPM | ||
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
Cancer - L'abitatore delle acque premordiali | Alessandra Garosi, Adam Simmons, David Jones | E♭ Minor | 0 | 2A | 85 BPM | ||
Indianisches Tagebuch I, BV 267: I. Allegretto affettuoso, un poco agitato | Ferruccio Busoni, Marc-André Hamelin | C Minor | 2 | 5A | 96 BPM | ||
Room-Music Tit-Bits: II. Handel in the Strand | Percy Grainger, Marc-André Hamelin | D Major | 1 | 10B | 124 BPM |
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