Holmes & Watson made "Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17" available on August 27, 2021. With Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Holmes & Watson's "Holmes & Watson Mysterys Folge 15 - Die Todesstunde" album is number 17 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Holmes & Watson Mysterys Folge 15 - Die Todesstunde - Teil 17 by Holmes & Watson to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldstein (First Movement) | Junior dos Santos Silva | B♭ Minor | 2 | 3A | 81 BPM | ||
Symphony No. 1 in D Major, Op. 23: III. Menuetto. Moderato | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | A Major | 0 | 11B | 131 BPM | ||
アイネ・クライネ・ナハトムジーク K.525~第4楽章 | ベルリン室内管弦楽団 | G Major | 2 | 9B | 121 BPM | ||
Piano Trio No. 19, Op. 43, Hob. XV: 6 No. 1: Piano Trio No. 19, Op. 43, Hob. XV: 6 No. 1: I. Vivace | Joseph Haydn, Trio Gaspard | E♭ Major | 1 | 5B | 142 BPM | ||
Concerto No. 12 in A Major, K. 414: I. Allegro | Wolfgang Amadeus Mozart, Jean-Efflam Bavouzet, Manchester Camerata, Gábor Takács-Nagy | A Major | 1 | 11B | 142 BPM | ||
L'italiana in Algeri: Atto I. Sinfonia | Gioachino Rossini, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
Alt-Wiener Tanz C | Franz Xaver Gruber, Willi Boskovsky, The Boskovsky Ensemble | F♯ Major | 0 | 2B | 93 BPM | ||
Madrigale | Frank Kim | D Major | 1 | 10B | 101 BPM | ||
La tempesta di mare en fa majeur, RV 433: I. Allegro | Jean-Louis Beaumadier, Antonio Vivaldi, Christophe Poiget, Ensemble Instrumental La Follia | C Major | 4 | 8B | 123 BPM | ||
Der Fischer und das Milchmädchen: XVI. Andante agitato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
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