"Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée" by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam was released on August 19, 2002. With this song being about 5 minutes long, at 4:44, "Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée" by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 15 in Debussy: Harp Works by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam. In terms of popularity, Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Sonate pour flûte, alto et harpe: I. Pastorale. Lento, dolce rubato | Claude Debussy, Philippe Bernold, Gérard Caussé, Isabelle Moretti, Ariane Jacob | F Major | 0 | 7B | 100 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Debussy: Preludes, Book 1, L. 117: II. Voiles | Claude Debussy, Fazıl Say | E♭ Major | 0 | 5B | 133 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
2 Arabesques (arr. A. Miolin): Arabesque No. 1 | Anders Miolin, Claude Debussy | G Major | 0 | 9B | 82 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
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