Sergei Rachmaninoff, Nikolai Lugansky's 'Etudes-tableaux, Op. 39: No. 3 in F-Sharp Minor. Allegro molto' came out on July 22, 2007. The duration of Etudes-tableaux, Op. 39: No. 3 in F-Sharp Minor. Allegro molto is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Etudes-tableaux, Op. 39: No. 3 in F-Sharp Minor. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rachmaninoff: Études-Tableaux, Op. 33 & Op. 39". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Etudes-tableaux, Op. 39: No. 3 in F-Sharp Minor. Allegro molto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes-tableaux, Op. 39: No. 3 in F-Sharp Minor. Allegro molto by Sergei Rachmaninoff, Nikolai Lugansky having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Liebeslieder-Walzer, Op.52 - Orchestral Version: No.8 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | A♭ Major | 1 | 4B | 100 BPM | ||
Piano Sonata No. 3 in A Minor, Op. 28 | Sergei Prokofiev, Bernd Glemser | D Major | 2 | 10B | 54 BPM | ||
12 Children's Pieces, Op. 31: No. 4, Rêverie | Reinhold Glière, Alton Chung Ming Chan | D Minor | 0 | 7A | 69 BPM | ||
4 Sketches, Op. 4, JB 1:66: No. 1 in F-Sharp Minor, Prelude. Allegro | Bedřich Smetana, Jitka Čechová | F♯ Minor | 1 | 11A | 90 BPM | ||
Prelude in A, Op.103, No.7 | Gabriel Fauré, Kun-Woo Paik | A Major | 1 | 11B | 109 BPM | ||
Chopin: 12 Études, Op. 25: No. 7 in C-Sharp Minor | Frédéric Chopin, Nikolai Lugansky | D♭ Minor | 0 | 12A | 68 BPM |
Section: 0.6690828800201416
End: 0.6755232810974121