"Schwanengesang, D. 957 (arr. A. Pillai): No. 1. Liebesbotschaft" by Ashan Pillai, Franz Schubert, Michael Endres was released on January 1, 2007. The duration of Schwanengesang, D. 957 (arr. A. Pillai): No. 1. Liebesbotschaft is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Schwanengesang, D. 957 (arr. A. Pillai): No. 1. Liebesbotschaft's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert: Arpeggione Sonata / Schwanengesang (Arr. for Viola and Piano) / Kalliwoda: 6 Nocturnes". In this album, this song's track order is #10. Based on our statistics, Schwanengesang, D. 957 (arr. A. Pillai): No. 1. Liebesbotschaft's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957 (arr. A. Pillai): No. 1. Liebesbotschaft by Ashan Pillai, Franz Schubert, Michael Endres having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 pièces brèves, Op.84: 5. Improvisation in C sharp minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM | ||
6 Morceaux: No. 3, Berceuse | Pauline Viardot, Rachel Barton Pine, Matthew Hagle | G Major | 0 | 9B | 172 BPM | ||
Lieder ohne Worte, Op.19: No. 2 In A Minor (Andante espressivo), MWV U 80 | Felix Mendelssohn, Daniel Barenboim | A Minor | 0 | 8A | 131 BPM | ||
Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
Lieder ohne Worte, Op.30: No. 4. Agitato e con fuoco In B Minor, MWV U 98 | Felix Mendelssohn, Daniel Barenboim | G Major | 2 | 9B | 115 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Christian Tetzlaff | D♭ Minor | 0 | 12A | 135 BPM | ||
Franck: Cello Sonata in A Major: III. Recitativo - Fantasia | César Franck, Daniel Müller-Schott/Robert Kulek | F♯ Minor | 0 | 11A | 133 BPM | ||
String Quintet No. 3, Op. 97: III. Larghetto | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen | A♭ Minor | 1 | 1A | 114 BPM | ||
Keyboard Sonata in B-Flat Major, Op. 10 No. 3: II. Tempo di minuetto con espressione e andante | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM |
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