3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33
Stephen Hough
Stephen Hough's Mozart Album
1:22 March 1, 2008
BPM
118
Key
F Major
Camelot
7B

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3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33 - Stephen Hough Information

Acousticness
97%
Danceability
55%
Energy
17%
Instrumentalness
17%
Liveness
7%
Loudness
56%
Speechiness
7%
Valence
29%
Popularity
Loudness
-26.606 dB

Summary

Stephen Hough's '3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33' came out on March 1, 2008. With 3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33 being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Stephen Hough's Mozart Album". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33 BPM

With 3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33 by Stephen Hough having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

3 Mozart Transformations, After Poulenc: II. Klavierstück, K. 33 Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

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ISRC
GBAJY0859809
Label
L-M Records/RCA Records

Section: 0.6147656440734863

End: 0.6191587448120117