"Gypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra)" by Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on June 5, 2020. The duration of Gypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra) is about 3 minutes long, at 3:16. Based on our data, "Gypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Voice Of Hope by Camille Thomas, Brussels Philharmonic, Stéphane Denève, Mathieu Herzog. The song's track number on the album is #10 out of 16 tracks. In terms of popularity, Gypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra) by Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gypsy Melodies, Op.55, B. 104: 4. Songs My Mother Taught Me (Adapt. For Cello And Orchestra) being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM |
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