- BPM
- 78
- Key
- C Major
- Camelot
- 8B
Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor) - Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 17%
- Instrumentalness
- 14%
- Liveness
- 13%
- Loudness
- 70%
- Speechiness
- 3%
- Valence
- 10%
- Popularity
- 2%
- Loudness
- -18.291 dB
Summary
"Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor)" by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner was released on November 26, 2001. The duration of Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 20 in Die Schönsten Opernchöre Vol. 2 by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner. Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor) BPM
The tempo marking of Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor) by Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Richard Wagner: Die Meistersinger von Nürnberg - Da zu Dir der Heiland kam (Eingangschor) Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Rêverie | Robert Schumann, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | F Major | 1 | 7B | 86 BPM | |
 | 4 Lieder, Op. 27, TrV 170: No. 4, Morgen | Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | E Major | 0 | 12B | 154 BPM | |
 | Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | |
 | Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | |
 | 12 Songs, Op. 21: 5. Siren | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A♭ Major | 1 | 4B | 94 BPM | |
 | Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | |
 | Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | |
 | Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.747403621673584
End: 0.7505509853363037