"Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe" by Thomas Adès was released on March 31, 1997. The duration of Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Piano Works - Ades". In this album, this song's track order is #10. Based on our statistics, Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe by Thomas Adès having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
From Jewish Life, B 54: 1. Prayer (Arr. B. Kanneh-Mason) | Ernest Bloch, Braimah Kanneh-Mason, Sheku Kanneh-Mason | F Minor | 1 | 4A | 96 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Joanne Polk | E♭ Minor | 0 | 2A | 65 BPM | ||
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM | ||
On an Overgrown Path, Series II: Andante | Leoš Janáček, Thomas Adès | E♭ Major | 0 | 5B | 114 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM |
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