26 Variations on "La Follia di Spagna" (1815): Variation 7 (Allegretto) - Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan Information

Acousticness: 72%
Danceability: 49%
Energy: 6%
Instrumentalness: 98%
Liveness: 30%
Loudness: 35%
Speechiness: 5%
Valence: 43%
Popularity: 0%
Loudness: -39.036 dB

Summary

Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan made "26 Variations on "La Follia di Spagna" (1815): Variation 7 (Allegretto)" available on January 1, 1996. With 26 Variations on "La Follia di Spagna" (1815): Variation 7 (Allegretto) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Salieri: The 2 Piano Concertos etc.". In this album, this song's track order is #16. Based on our statistics, 26 Variations on "La Follia di Spagna" (1815): Variation 7 (Allegretto)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

26 Variations on "La Follia di Spagna" (1815): Variation 7 (Allegretto) BPM

With 26 Variations on "La Follia di Spagna" (1815): Variation 7 (Allegretto) by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

26 Variations on "La Follia di Spagna" (1815): Variation 7 (Allegretto) Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto	Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach	G Major	1	9B	142 BPM
Viola Concerto in C Minor: III. Allegro molto energico	Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens	G Minor	3	6A	79 BPM
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave	Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana	F Minor	1	4A	108 BPM
String Quartet in E-Flat Major, Op. 2, No. 4, Ben. 310: III. Tempo di Minuetto	Ignaz Pleyel, Enso String Quartet	A Minor	1	8A	116 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante	Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur	E Minor	0	9A	140 BPM
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato	Franz Schubert, Alfred Brendel	G Minor	0	6A	103 BPM
Das listige Bauernmädchen: No. 16a, Allegro non troppo	Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec	D Major	1	10B	92 BPM
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo	Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt	F Major	1	7B	128 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.605581521987915

End: 0.6095001697540283