"De México a Buenos Aires" by Plácido Domingo, Bebu Silvetti, The VVC Symphonic Orchestra was released on 1982. The duration of De México a Buenos Aires is about 3 minutes long, at 3:05. Based on our data, "De México a Buenos Aires" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 101 in the song's album "Plácido Domingo - The Latin Album Collection". In this album, this song's track order is #4. De México a Buenos Aires is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De México a Buenos Aires by Plácido Domingo, Bebu Silvetti, The VVC Symphonic Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Riconoscimento (Tribute) | Yanni, Plácido Domingo, Nathan Pacheco, Micaela Oeste, Chloe Lowery | A Major | 5 | 11B | 75 BPM | ||
Cielito Lindo | Mantovani y Su Gran Orquesta | F Major | 3 | 7B | 176 BPM | ||
Elixir de amor - Una furtiva lacrima | Waldo De Los Ríos | B♭ Minor | 4 | 3A | 81 BPM | ||
La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
Volver Volver | Ramón Acevedo | F Major | 1 | 7B | 141 BPM | ||
Se Mi Olvidó Otra Vez | Plácido Domingo | G Major | 4 | 9B | 77 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Eternally | Charlie Chaplin, Plácido Domingo, Eugene Kohn | F Major | 2 | 7B | 76 BPM | ||
Serenata Tapatia | Manuel Esperón, Ernesto Cortazar, Plácido Domingo, Julio Salazar | E Major | 3 | 12B | 180 BPM |
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