La Mort de l'Amour - Ernest Chausson, Jules Massenet, Gabriele Ferro, Orchestra Sinfonica Di Torino Della Rai Information

Acousticness: 99%
Danceability: 23%
Energy: 5%
Instrumentalness: 4%
Liveness: 9%
Loudness: 59%
Speechiness: 5%
Valence: 3%
Popularity: 0%
Loudness: -24.415 dB

Summary

"La Mort de l'Amour" by Ernest Chausson, Jules Massenet, Gabriele Ferro, Orchestra Sinfonica Di Torino Della Rai was released on 1983. La Mort de l'Amour appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Shirley Verrett Recital". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. La Mort de l'Amour is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Mort de l'Amour BPM

With La Mort de l'Amour by Ernest Chausson, Jules Massenet, Gabriele Ferro, Orchestra Sinfonica Di Torino Della Rai having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

La Mort de l'Amour Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for 2 Pianos and Orchestra, Op. 88a: III. Adagio ma non troppo	Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths	B Major	2	1B	66 BPM
Symphony in D Minor, FWV 48: II. Allegretto	César Franck, Ernest Chausson, Jean-Luc Tingaud, Rundfunk-Sinfonieorchester Berlin	B♭ Major	1	6B	132 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea	Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli	C Major	1	8B	86 BPM
Melody, Op. 20, No. 1	Alexander Glazunov, Jan Vogler, Helmut Branny	D Major	2	10B	85 BPM
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro	Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki	G Minor	1	6A	126 BPM
Debussy: Nocturnes, CD 98, L. 91: No. 3, Sirènes	Claude Debussy, Michel Plasson, Choeurs de Toulouse-Midi-Pyrénées, Orchestre Du Capitole De Toulouse	D♭ Major	2	3B	84 BPM
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia	Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung	F Major	1	7B	104 BPM
Intermezzo in modo classico (Version for Orchestra)	Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker	G Major	2	9B	74 BPM
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto	Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe	E♭ Major	0	5B	91 BPM

ISRC: ITD010104723
Label: L-M Records/RCA Records

Section: 0.6805551052093506

End: 0.6844563484191895