"Aequale I" by Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson was released on March 28, 2011. With Aequale I being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 17 in Bruckner Motets by Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Aequale I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aequale I by Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 In E Flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Philharmonia Orchestra, Christian Thielemann | E♭ Major | 2 | 5B | 110 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | F Major | 2 | 7B | 151 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Bruckner: Te Deum, WAB 45: IV. Salvum fac populum tuum (Live at Lukaskirche, Munich, 1982) | Anton Bruckner, Sergiu Celibidache, Karl Helm, Philharmonischer Chor München, Münchener Bach-Chor, Christel Borchers, Claes-Håkan Ahnsjö, Elmar Schloter, Margaret Price, Munich Philharmonic Orchestra | F Minor | 1 | 4A | 80 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM |
Section: 0.8320558071136475
End: 0.8359308242797852