Georges Bizet, Yannick Nézet-Séguin, Wiener Philharmoniker's 'Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV)' had a release date set for June 30, 2023. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sommernachtskonzert 2023 / Summer Night Concert 2023". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Suite No. 1: Aragonaise. Allegro vivo (Prelude to Act IV) by Georges Bizet, Yannick Nézet-Séguin, Wiener Philharmoniker having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Le docteur Miracle: Scene 5: Venez ici Veronique (Le Podestat, Veronique, Laurette, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Minor | 1 | 5A | 135 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, Andris Nelsons, Wiener Philharmoniker | C Major | 1 | 8B | 178 BPM | ||
Maria Stuart i Skotland (arr. J. Halvorsen): Valse Caprice | Rikard Nordraak, Johan Halvorsen, Iceland Symphony Orchestra, Bjarte Engeset | B Minor | 0 | 10A | 137 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
Strauss I, J: Radetzky-Marsch, Op. 228 | Johann Strauss I, Wiener Philharmoniker, Riccardo Muti | A Major | 6 | 11B | 109 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
Melody (From "The High Pass") | Myroslav Skoryk, Gautier Capuçon, Wiener Philharmoniker, Andris Nelsons | C Minor | 3 | 5A | 176 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Andris Nelsons, Wiener Philharmoniker | A Major | 1 | 11B | 141 BPM |