Richard Adler, Jerry Ross, John Raitt, The Original Broadway Cast Of The Pajama Game, Hal Hastings's 'The Pajama Game: A New Town Is a Blue Town' came out on 1954. The duration of The Pajama Game: A New Town Is a Blue Town is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. The Pajama Game: A New Town Is a Blue Town's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Pajama Game (Original Broadway Cast Recording)". In this album, this song's track order is #3. The Pajama Game: A New Town Is a Blue Town is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pajama Game: A New Town Is a Blue Town by Richard Adler, Jerry Ross, John Raitt, The Original Broadway Cast Of The Pajama Game, Hal Hastings having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
So Long Dearie | Carol Channing | B♭ Major | 2 | 6B | 103 BPM | ||
Just One of Those Things | Louis Prima, Sam Butera & The Witnesses | F Minor | 4 | 4A | 139 BPM | ||
Granada | John Raitt | D♭ Major | 2 | 3B | 139 BPM | ||
Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM | ||
Come Follow the Band | Cy Coleman, Jim Dale, Barnum Ensemble, Peter Howard | D Major | 3 | 10B | 90 BPM | ||
Why Do I Love You? (From "Showboat") | Barbara Cook, John Raitt | A♭ Major | 5 | 4B | 91 BPM | ||
Love I Hear | Brian Davies | G Major | 1 | 9B | 171 BPM | ||
Bosom Buddies | Lucille Ball, Beatrice Arthur | E♭ Major | 2 | 5B | 108 BPM | ||
Why Do I Love You? | John Raitt, Barbara Cook | A♭ Major | 3 | 4B | 98 BPM | ||
Thoroughly Modern Millie | Carol Channing | B♭ Major | 4 | 6B | 92 BPM |
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