"Sonata-Ballade for Piano in F-Sharp Major, Op. 27: II. Introduzione. Mesto" by Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer was released on January 1, 1992. The duration of Sonata-Ballade for Piano in F-Sharp Major, Op. 27: II. Introduzione. Mesto is about 3 minutes long, at 3:07. Based on our data, "Sonata-Ballade for Piano in F-Sharp Major, Op. 27: II. Introduzione. Mesto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer's "Medtner: Piano Concertos Nos. 1-3" album is number 5 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sonata-Ballade for Piano in F-Sharp Major, Op. 27: II. Introduzione. Mesto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata-Ballade for Piano in F-Sharp Major, Op. 27: II. Introduzione. Mesto by Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37a: I. January. Au coin du feu. Moderato semplice ma espressivo | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | B Minor | 4 | 10A | 75 BPM | ||
13 Preludes, Op. 32: No. 12 in G-Sharp Minor | Sergei Rachmaninoff, Elena Dorozhkina | D♭ Minor | 1 | 12A | 132 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
6 Etudes, Op. 111: VI. Toccata d'après le 5e Concerto | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Brahms: Eight Piano Pieces, Op. 76: No. 4, Intermezzo in B-Flat Major | Johannes Brahms, Richard Goode | A♭ Major | 0 | 4B | 58 BPM | ||
Forgotten Melodies, Op. 39: V. Sonata tragica | Nikolai Medtner, Geoffrey Tozer | F Minor | 2 | 4A | 68 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 50: III. Divertimento. Allegro risoluto e molto vivace | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 1 | 9B | 102 BPM | ||
Brahms - Op.116 No.1 Capriccio D minor | Elena Kuschnerova | F Major | 2 | 7B | 73 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 6, Words Fail! | Leoš Janáček, Lars Vogt | D♭ Major | 0 | 3B | 75 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, Juan Francisco Otón | C Major | 2 | 8B | 91 BPM |
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