On April 2, 2013, the song "Spitzbub" was released by Josef Rixner, Barnabas von Geczy Orchestra, Barnabas von Geczy. The duration of Spitzbub is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Spitzbub's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Golden Era of the German Dance Orchestra: Barnabas von Geczy mit seinem Orchester, Vol. 1 (1935-1940)". In this album, this song's track order is #9. Based on our statistics, Spitzbub's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Spitzbub by Josef Rixner, Barnabas von Geczy Orchestra, Barnabas von Geczy having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Karneval der Tiere, R. 125: XIII. Die Fossilien | Camille Saint-Saëns, Berlin Radio Symphony Orchestra, Ferhan & Ferzan Önder, Johannes Zurl | E♭ Major | 3 | 5B | 112 BPM | ||
Prólogo | Aida Ten, Carolina Fontecha | C Major | 9 | 8B | 76 BPM | ||
Wacht an der Donau! | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | D Major | 3 | 10B | 112 BPM | ||
Walzer, op. 39 Nr. 15 | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM | ||
Gare Field | Luckless | G Minor | 4 | 6A | 100 BPM | ||
Śmiało Naprzód - Boldly Ahead | Orkiestra Reprezentacyjna Wojska Polskiego | C Major | 4 | 8B | 118 BPM | ||
Kodaly Quartett, Kontrabass: Istvan Toth, Klavier: Jeno Jando | Marko Simsa | D Major | 1 | 10B | 130 BPM | ||
Mourir d’aimer (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
Penny Lane | Blechschaden | A♭ Major | 3 | 4B | 116 BPM |
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