Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice - Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen Information

Acousticness: 100%
Danceability: 20%
Energy: 0%
Instrumentalness: 64%
Liveness: 7%
Loudness: 46%
Speechiness: 4%
Valence: 16%
Popularity: 2%
Loudness: -32.178 dB

Summary

"Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice" by Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen was released on January 1, 1995. With Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 19 in Arnold: The Complete Works for Clarinet by Malcolm Arnold, Emma Johnson, English Chamber Orchestra, Ivor Bolton. In terms of popularity, Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice BPM

The tempo marking of Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice by Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Three Shanties for Wind Quintet, Op.4 (1943): 2. Allegretto semplice Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Little Suite No. 1, Op. 53: III. March. Allegro con brio	Malcolm Arnold, Richard Hickox, City of London Sinfonia	C Major	4	8B	135 BPM
La péri - Fanfare	Paul Dukas, Roberto Benzi, Orchestre de Bordeaux Aquitaine	F♯ Major	1	2B	71 BPM
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild	Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker	B Major	4	1B	137 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Ruslan and Lyudmila, Op. 5: Overture	Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov	E Minor	1	9A	154 BPM
Marche slave, Op. 31, TH 45	Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic	B♭ Minor	4	3A	109 BPM
Little Suite No. 1, Op. 53: II. Dance. Allegretto	Malcolm Arnold, Richard Hickox, City of London Sinfonia	F Major	0	7B	84 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
4 Scottish Dances, Op. 59 (arr. J.P. Paynter): No. 3. Allegretto	John P. Paynter, Malcolm Arnold, Eastern Wind Symphony, William Silvester	F Major	0	7B	82 BPM
Jazz Suite No. 2: V. Little Polka	Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly	D Major	2	10B	141 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6965038776397705

End: 0.7001512050628662