On 2011, the song "Kapitel 169 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" was released by David Allen, Jürgen Kalwa. The duration of Kapitel 169 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:06. Based on our data, "Kapitel 169 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 39 out of 194. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Kapitel 169 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 169 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | G Major | 3 | 9B | 133 BPM | ||
Un ballo in maschera / Act 1: "Posa in pace" | Giuseppe Verdi, Goran Simic, Kurt Rydl, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 0 | 1B | 123 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Les Pêcheurs de perles: Sombres divinités (Nourabad, Fishermen, Villagers, Zurga, Leïla, Nadir) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | B♭ Major | 1 | 6B | 68 BPM | ||
Otello: Esultate | Mario del Monaco | E Major | 3 | 12B | 169 BPM | ||
Un ballo in maschera / Act 1: "Su, profetessa" ... "Di' tu se fedele" | Giuseppe Verdi, Sumi Jo, Florence Quivar, Plácido Domingo, Goran Simic, Kurt Rydl, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | E♭ Major | 1 | 5B | 91 BPM | ||
Maria Stuarda: Act II Scene 2: Del suo core, del suo cor convinta io sono (Maria Stuarda, Leicester) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | D♭ Major | 2 | 3B | 82 BPM | ||
Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | F Major | 2 | 7B | 72 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Fra momenti io torno" (Figaro, Conte, Bartolo) | Gioachino Rossini, Alceo Galliera, Fritz Ollendorf, Luigi Alva, Tito Gobbi, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Chi è" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Philharmonia Chorus, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM |
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