Horace Heidt & His Musical Knights, Larry Cotton made "Gone With the Wind" available on January 1, 2014. The duration of Gone With the Wind is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Gone With the Wind's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 52 in All the Hits by Horace Heidt & His Musical Knights. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Gone With the Wind's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Gone With the Wind by Horace Heidt & His Musical Knights, Larry Cotton is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
This Is Worth Fighting For | Shep Fields & His New Music, Shep Fields, Ray Ekstrand, Al Freistat, Ben Glassman, Tom L. Lucas, Babe Fresk, Bob Lawson, Berg Vaughn, George Ford, Bill Clifton, Tony Kay, Al Benson, Simon (Sid) Greenfield, Ken Carter | D♭ Major | 1 | 3B | 88 BPM | ||
In a subway far from Ireland | Raymond Scott | B♭ Major | 3 | 6B | 114 BPM | ||
How Come You Do Me Like You Do? | Cab Calloway | F Minor | 3 | 4A | 116 BPM | ||
Bali Hai | Jimmy Dorsey | D♭ Major | 1 | 3B | 102 BPM | ||
Don’t Sweetheart Me | Geraldo, His Orchestra | C Minor | 2 | 5A | 74 BPM | ||
Dream Train | Nat Shilkret | B♭ Minor | 2 | 3A | 142 BPM | ||
Find Me a Primitive Man (feat. the Colonial Club Orchestra) | Libby Holman, The Colonial Club Orchestra | E♭ Major | 2 | 5B | 165 BPM | ||
Put Your Arms Around Me, Honey | Betty Grable | B♭ Major | 0 | 6B | 203 BPM | ||
Lovely One | Horace Heidt & His Musical Knights, Larry Cotton | F Major | 3 | 7B | 165 BPM | ||
Down Forget-Me-Not Lane | Flanagan & Allen | B♭ Major | 2 | 6B | 103 BPM |
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